New Delhi: Canadian classicist, author and academician Anne Carson, whose oeuvre defies traditional genres by merging poetry, prose, fiction, nonfiction, and translation, including a work juxtaposing Helen of Troy and Marilyn Monroe and was referenced in American TV lesbian drama “The L Word”, was on Thursday awarded the Nobel Prize in Literature 2026.
Carson, 76, was awarded “for her bold and inventive oeuvre that, in playful dialogue with the classical tradition, has created new forms for contemporary literature”, the Swedish Academy, which chooses the literary laureate, announced.
The third Canadian to win the Nobel in Literature and the first after Alice Munro (2013), Carson is the fifth woman to be conferred the award in the last 10 years, with the prior winner being South Korea’s Han Kang in 2024.
With a background in classical Greek and Latin literature, but a yen for more modern literary works, as well as history and anthropology, which often crop up in her work, Carson is mainly known for translating, referencing, modernising works of ancient authoris like Aeschylus, Euripides, Homer, Sappho, Sophocles, and Thucydides (Ancient Greece) and Catullus (Ancient Rome).
However, she has also taken inspiration from more recent writers, including novelist Emily Bronte, poet John Keats, German philosophers like Georg Wilhelm Friedrich Hegel and Martin Heidegger, as well as Franz Kafka and Virginia Woolf.
Carson’s translations of Ancient Greek works include “Electra” (2001), based on the eponymous play by Sophocles, “If Not, Winter” (2002), based by the works of Greek poetess Sappho, “Grief Lessons” (2006), an ensemble of Euripides’ “Herakles”, “Hecuba”, “Hippolytus”, and “Alcestis”, “An Oresteia” (2009), bring together Aeschylus’s “Agamemnon”, Sophocles’s “Electra”, and Orestes’s “Euripides”, “Iphigenia Among the Taurians” (Euripides), “Antigone” (2015), and “Bakkhai” (2015) (Euripides’ “The Bacchae”).
Her first published work was “Eros the Bittersweet: An Essay” (1986), a reworked version of her 1981 doctoral thesis, “Odi et Amo Ergo Sum (I Hate and I Love, Therefore I Am)”, which examined the concept of ‘eros’ or the state of being in love, in ancient Greece as manifested in writings then.
This was the work referenced in the debut of “The L Word” in an exchange between the characters Jenny and Marina.
Among her other works, there is the poetry collection “The Beauty of the Husband: A Fictional Essay in 29 Tangos” (2001), fusing erotic, painful, and heartbreaking scenes from a doomed marriage, and dedicated to Keats for his definition of beauty in “Ode on a Grecian Urn”.
Then there is “Men in the Off Hours”, an eclectic pot-pourri of short poems, verse essays, epitaphs, interviews, scripts, and translation, where references to old and modern writers and thinkers, as well as to historical and mythological figures, include Anna Akhmatova, Aristotle, Samuel Beckett, Beethoven, Bertolt Brecht, Catherine Deneuve, Jacques Derrida, Rene Descartes, John Donne, George Eliot, Sigmund Freud, Maxim Gorky, Oedipus, Satan, Socrates, Thucydides, and Leo Tolstoy.
Standing out – and not only in their non-traditional formats – are the spoken/recited performance piece “Norma Jeane Baker of Troy”, which debuted in New York City in 2019, superimposing Marilyn Monroe over the legendary Helen of Troy (loosely inspired by Euripides’s 412 BCE “Helen”), and “The Trojan Women: a Comic” (2021), a comic-book version of Euripides’ classic “The Trojan Women” recounting the fates of Queen Hecuba, Andromache and Kassandra after Troy has been sacked and its menfolk killed off by the victorious Greeks, and a poignant timeless indictment of warfare on non-combatants!
(IANS)
